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Ring and the Book

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By: (1812-1889)

"Ring and the Book" by Robert Browning is a masterpiece of poetry that explores the complexity of the human experience through the retelling of a murder trial in 17th century Italy. The poem is structured as a series of dramatic monologues, each presenting a different perspective on the same events. Through these various voices, Browning delves into themes of justice, truth, guilt, and morality.

The language of the poem is rich and dense, with Browning’s signature use of dramatic irony and vivid imagery. The intricate web of narratives and voices creates a compelling tapestry of conflicting viewpoints, challenging the reader to question their own assumptions and biases.

While the length and complexity of the poem may be intimidating to some readers, the careful attention to detail and depth of emotion make "Ring and the Book" a rewarding and thought-provoking read. Browning’s skillful handling of language and structure elevates this work to a timeless classic of English literature.

Book Description:

"Better translate--"A Roman murder-case:
"Position of the entire criminal cause
"Of Guido Franceschini, nobleman,
"With certain Four the cutthroats in his pay,
"Tried, all five, and found guilty and put to death
"By heading or hanging as befitted ranks,
"At Rome on February Twenty-Two,
"Since our salvation Sixteen Ninety Eight:
"Wherein it is disputed if, and when,
"Husbands may kill adulterous wives, yet 'scape
'The customary forfeit.'"
(Excerpt from first chapter of The Ring and the Book.)

Note from reader: The main text I have read from follows the first edition; but there are some words or lines that do not make sense, either through copying mistakes or because they are difficult if not impossible to make sense of in the first edition. In such cases, I have relied upon an alternate text, found at archive.org and also in the public domain, that contains the wording of the later editions. --Tony Oliva


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