Theodore Dreiser was highly acclaimed for his novels and other writing. This non-fiction work takes place in many areas of New York City in the early 20th Century. Dreiser writes of lives packed into cramped tenements, of the likely end, but perhaps not, of an affair, of those who guided ships through turbulent waters, and of life in a home for retired seamen. We're taken to the new subways where track workers risked deadly accidents as they struggled to earn a living. Animal slaughter, the glory and heartbreak of song-writing, the shabby "sandwich man", deadly jealousy in Little Italy, and much more is vividly brought to life by this brilliant author.

"From May 1945 until February 1946, I served as a Monuments, Fine Arts and Archives Officer in Germany. During the first four months of this assignment, I was engaged in field work which included the recovery of looted works of art from such out-of-the-way places as a monastery in Czechoslovakia, a salt mine in Austria, and a castle in Bavaria. Later, as Deputy Chief of the Monuments, Fine Arts and Archives Section, Office of Military Government, U. S. Zone, I participated in the restitution of recovered art treasures to the countries of rightful ownership...

I write for public speakers. I wish to take them into my confidence. I feel I can do them good. My object is to help them to speak with greater ease and efficiency. When the voice is developed and in a condition to answer the calls made upon it, then it will naturally seek to put its powers into operation.... Develop the powers of the voice and it will not be satisfied till it find scope for their exercise. This is a marvellous feature of the human voice, and yet, perhaps, it is more or less common to all the powers we possess...

As people live in a house, Or work, day after day, in a store or factory or public building, they become used to inconveniences, bad arrangement, and lack of proper facilities. They complain for a time, perhaps, and then forget. And after a while, when the house has become home, or the large building has gathered tradition, a sort of admiration settles upon it. What is really plain ugly or wrong or bad appears quaint and full of "atmosphere." And is imitated. Style and tradition embalm the very features that make the building a bad building...

In 1916, three prominent identities in the Sydney art world - Sydney Ure Smith, Bertram Stevens and Charles Lloyd Jones - got together to publish Australia's first art magazine. Their aim was to make the work of Australian artists know to the Australian public, and, through high quality reproductions, to give an idea of its quality to those who were unable to see the originals. All of the 102 issues of Art in Australia, published between 1916 and 1942 have now been made available, complete with illustrations, on the National Library of Australia's Trove web site...

In 1916, three prominent identities in the Sydney art world - Sydney Ure Smith, Bertram Stevens and Charles Lloyd Jones - got together to publish Australia's first art magazine. Their aim was to make the work of Australian artists known to the Australian public, and, through high quality reproductions, to give an idea of its quality to those who were unable to see the originals. All of the 102 issues of Art in Australia, published between 1916 and 1942 have now been made available, complete with illustrations, on the National Library of Australia's Trove web site...