The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets Mabel, the daughter of Major-General Stanley, and the two young people fall instantly in love. Frederic finds out, however, that he was born on 29 February, and so, technically, he only has a birthday each leap year...

This is a jolly little book about a little boy, a dog, a train and a house. But not an ordinary train, oh no, and not an ordinary house either! And there are songs, too. The Preface is short, dull and only for the grown-ups.

Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space...

A biography of the Polish composer and virtuoso pianist Frédéric Chopin and a critical analysis of his work by American music writer and critic James Huneker.

Subtitled "Songs of Scotland of the Past Half-Century, with Memoirs of the Poets, and Sketches and Specimens in English Verse of the Most Celebrated Modern Gaelic Bards."

Josephine Preston Peabody was an American poet and dramatist. She was born in New York and educated at the Girls’ Latin School, Boston, and at Radcliffe College.

A series of essays for music lovers, covering many topics. From music appreciation, to violin and symphony, music education, to piano and, in fact, the very origins of music, there is sure to be something for everyone.

This is a subset of the first twelve poems from the second collection of Gilbert’s “Bab Ballads” – light verses poking fun at the life and people of his time in Gilbert’s unique “topsy-turvey” style. The epitaph on his memorial on the Victoria Embankment in London is “HIS FOE WAS FOLLY AND HIS WEAPON WIT”, an epitaph amply exemplified in these verses.